This is pre-release (i.e., I imagine I might go back and edit it) evaluation release of my first ever ambient track.
I am really new to this kind of stuff, so if you comment on the piece or my workflow described below, I will be grateful.
Guitar: Modded Squier Tele > Biyang CO-10 Compressor > Tech 21 Blonde (speaker sim on) > EQD Organizer > Boss RV-5 (kinda broken, but still works) > Morley Volume Pedal > Zoom MS-70 CDR (three delays) > into interface and Tracktion > Voxengo Stereo Touch
Synth: Reaktor Ugh GRIP busy grains setting > Boscomac Floodverb (ducked mode) > AD Rough Rider compressor (free version)
Master effect: Melda Limiter (Soft 1 setting --don't know what I'm doing here so just went with whatever sounded good).
Notes:
When recording guitar, I just played with the knobs on my pedals after each little phrase and switched my guitar pickup to make the sound fatter and fatter and overdriven. In Reaktor, I just found some granular stuff that I thought made an interesting contrast with the beautiful guitar swells. I imagine the track as telling a story of the dance of good vs. evil (or love-hate, life-death; with the former being guitar and the latter Reaktor).
Questions:
1. Does it give away that I'm totally new in this? How?
2. Would you consider this finished or does it need a lot of work? In which departments?
cheers!
I am really new to this kind of stuff, so if you comment on the piece or my workflow described below, I will be grateful.
Guitar: Modded Squier Tele > Biyang CO-10 Compressor > Tech 21 Blonde (speaker sim on) > EQD Organizer > Boss RV-5 (kinda broken, but still works) > Morley Volume Pedal > Zoom MS-70 CDR (three delays) > into interface and Tracktion > Voxengo Stereo Touch
Synth: Reaktor Ugh GRIP busy grains setting > Boscomac Floodverb (ducked mode) > AD Rough Rider compressor (free version)
Master effect: Melda Limiter (Soft 1 setting --don't know what I'm doing here so just went with whatever sounded good).
Notes:
When recording guitar, I just played with the knobs on my pedals after each little phrase and switched my guitar pickup to make the sound fatter and fatter and overdriven. In Reaktor, I just found some granular stuff that I thought made an interesting contrast with the beautiful guitar swells. I imagine the track as telling a story of the dance of good vs. evil (or love-hate, life-death; with the former being guitar and the latter Reaktor).
Questions:
1. Does it give away that I'm totally new in this? How?
2. Would you consider this finished or does it need a lot of work? In which departments?
cheers!
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