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Messing with the Wolfram demo (pretty good), simply fed the output of the filter/delay module back into the first manipulator, sent a 'trigger' sound through it and, woosh, had this gem (subjective... ;)) blasting through my phones. Surprised at the depth of the sound and the 'layers' you can pick out.
Probably only considered Ambient if you work in an oil tankers engine room.
I did this in Reaper and it took me a minute to remember how to route a track to another so you can record it's output. In energyXT2 you could just select the output of any plugin in the project as your track input and hit record. Ok, so Reaper has a lot more flexibility (ie. works in a way pros appreciate) but at the expense of usability. energyXT2 could be *so* good for the majority of the work I do if it had some real development time spent on it (multicore, stability etc). Frustrating.
Messing with the Wolfram demo (pretty good), simply fed the output of the filter/delay module back into the first manipulator, sent a 'trigger' sound through it and, woosh, had this gem (subjective... ;)) blasting through my phones. Surprised at the depth of the sound and the 'layers' you can pick out.
Probably only considered Ambient if you work in an oil tankers engine room.
I did this in Reaper and it took me a minute to remember how to route a track to another so you can record it's output. In energyXT2 you could just select the output of any plugin in the project as your track input and hit record. Ok, so Reaper has a lot more flexibility (ie. works in a way pros appreciate) but at the expense of usability. energyXT2 could be *so* good for the majority of the work I do if it had some real development time spent on it (multicore, stability etc). Frustrating.
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