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Hi,
where to start hmm... I used to twist the C-Cassette tapes to hear the sounds backwards, and after a feedback period found beauty in the borderlines of sound and noise. A transpersonal journey of discovery, to minimize the conscious input to create sounds, as if I would also be the listener.
A rehearse in intuition in the form of live performances, which I mostly focus on these days. They are all improvised. After 10 years of playing music on common notation systems I decided to break it apart totally and find something new, so I started to create own tools and setup based on Max/MSP.
I went through a long period of not using the computer for anything and purely focused on the sound with my whole body, the metaphor of time felt like a constraint whichever direction it was supposed to be going, so I wanted to just go deeper in the meta-axis.
I have a vision of ambient music, that arises from the context as if it would have always been there, waiting for the discovery. A seamless transition without any preset constraints. Harmonic music is an exception, but there are many harmonics there that are worthwhile to repeat. Everything is in the state of constant change. I discarded beats because they divide time, in my pursue of timelessness and supra conductive experiences.
Now, introducing again the rhythms, but this time everything is natural, and not mimicry or a mathematical construction, but a metamorphosis - an emergent process where I don't know what will happen next. The focus moves to the present even more than before.
Still a conscious input of my part is needed in the process, an emotional participation - the link between the machines and the reality, and the result is larger than the participants, it becomes a dialogue of imaginations, a never ending story.
I was introduced to the forum by S1gnsOfL1fe, who I was lucky to meet at the Ambient Music Conference 2014. Thank you for the introduction, I'm glad to have joined this group of fellow minded human beings.
where to start hmm... I used to twist the C-Cassette tapes to hear the sounds backwards, and after a feedback period found beauty in the borderlines of sound and noise. A transpersonal journey of discovery, to minimize the conscious input to create sounds, as if I would also be the listener.
A rehearse in intuition in the form of live performances, which I mostly focus on these days. They are all improvised. After 10 years of playing music on common notation systems I decided to break it apart totally and find something new, so I started to create own tools and setup based on Max/MSP.
I went through a long period of not using the computer for anything and purely focused on the sound with my whole body, the metaphor of time felt like a constraint whichever direction it was supposed to be going, so I wanted to just go deeper in the meta-axis.
I have a vision of ambient music, that arises from the context as if it would have always been there, waiting for the discovery. A seamless transition without any preset constraints. Harmonic music is an exception, but there are many harmonics there that are worthwhile to repeat. Everything is in the state of constant change. I discarded beats because they divide time, in my pursue of timelessness and supra conductive experiences.
Now, introducing again the rhythms, but this time everything is natural, and not mimicry or a mathematical construction, but a metamorphosis - an emergent process where I don't know what will happen next. The focus moves to the present even more than before.
Still a conscious input of my part is needed in the process, an emotional participation - the link between the machines and the reality, and the result is larger than the participants, it becomes a dialogue of imaginations, a never ending story.
I was introduced to the forum by S1gnsOfL1fe, who I was lucky to meet at the Ambient Music Conference 2014. Thank you for the introduction, I'm glad to have joined this group of fellow minded human beings.
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