ABSTRACTIOUS by Gabriel Pereira Spurr, released 26 May 2022 1. ABSTRACTIOUS PART I 2. BALLAD FOR ABSTRONAUTS 3. ABSTRACTIOUS PART II Listen to the brand new and second EP for this netlabel by the renowned and celebrated Gabriel Pereira Spurr. The musician, arranger, composer, free improviser and co-founder of the HAMFUGGI Records label together with Jordi Heras Fauque who signs the cover of today's album ABSTRACTIOUS allowed us today for the second time to promote a work of his authorship that sounds very rich in musical references concrete and acoustic. The hallmark of this erudite and virtuous gentleman, born in Uruguay and residing in Argentina, is the variety of electroacoustic sounds in his tracks. In this album he makes it clear that his interest is in the limitless mix of solos, licks and guitar riffs which is his favorite instrument with explosive drums reminiscent of something between Post-Rock/Experimental, Ambient Music and Industrial music, due to the ethereal application of effects on instruments and the metallic sound moods that cover them.

Time Stops by mora-tau/Antonella Eye Porcelluzzi, released 22 May 2022 1. timestop Listen to a collaboration that is at the very least unusually amazing and also totally exclusive here on this netlabel for the enjoyment of our dear listeners: the Japanese mora-tau aka 岩崎剛典, the creator of darkly cinematic soundscapes and the Italian poet , eloquently provocative, Antonella "EYE" Porcelluzzi found themselves in their personal connected studios and made an album memorable and ready to occupy your Bandcamp record shelf. Exactly 26 minutes and 26 seconds composed of tense and soft moments translated into synthetic sounds generated by the sound machine laboratory of the master mora-tau accompany the short and shrewdly cutting verses of AEP in a diegetic vibration applied in the right measure and that you will hear now and have an invasion of mental images that will show all this that I hope from the bottom of my heart that you don't miss it at all. So please settle in and have a great trip.

Blackness by MODOR, released 07 May 2022 1. Nigredo 2. The Dark Night of the Soul 3. The Shadow Listen to our great mother MODOR aka IO - co-founder of our two netlabels - bringing her much-anticipated newest Harsh Noise album to the delight of her fans around the world. A masterpiece that cinematically approaches the Occult Sciences with soundscapes of harsh noise, a theme that permeates the entire work of sound art by MODOR and that has brought us many followers since we founded this netlabel. In Occultism, nigredo means putrefaction or decay in the pursuit of self-knowledge. The Swiss psychiatrist Carl Jung also wrote on this topic applying it to the field of Analytical Psychology. A freely improvised album - in the MODOR way - well thought out with great care and recorded only with the combination of two modular analog synthesizers that duel in the three tracks contained in it. Take the opportunity to listen to it and take it with you to your collection on Bandcamp plus this amazing work by MODOR.

MXB​-​210 by Palazzo's Monstrosity Coil, released 06 May 2022 1. MXB​-​210 Listen today at the opening of the netlabel @grimmgoat our dear friend and supporter, Zach Hallquist. He's been a huge contributor to our outreach journey since we made our first @noisygoatchurch netlabel at the end of 2020. And now he's helping us open our newest netlabel with a phenomenal and canonical single, which opens the door to our newest channel for the dissemination of unconventional music that we are very proud to share with all of you from now on, dear listeners. Palazzo's Monstrosity Coil is the iconic musical project by Zach Hallquist based on Ambient/Industrial/Noise composition with field recordings, manipulations and arrangements of which you can check out two albums already released on @noisygoatchurch. A very portentous feat within avant-garde music that mixes percussion loops with reverb effects in a post-apocalyptic martial ambient vibe.

Bode - Repolarity (Reworks by Pete Swinton) by Pete Swinton, released 06 May 2022 1. Repolarity 1 Rework Pete Swinton (v1) 2. Repolarity 1 Rework Pete Swinton (v2) 3. Repolarity 2 Rework Pete Swinton (v1) 4. Repolarity 2 Rework Pete Swinton (v2) Listen to the stupendous album by Pete Swinton, who made magnificent reworks of the "Repolarity" recordings that I, Bode, produced in my home studio between 2003/2004 when I started my experiments with VST and DAW. Years later I decided to remaster those tracks and make them available to the Bandcamp audience. It was then that I showed the material to Pete Swinton and he agreed to rework it and I am very proud of that and I thank him very much. Pete Swinton in addition to being a renowned, prolific and unparalleled composer of Ambient Music, demonstrates on this record that he is a very efficient remixer. He simply took some really good moments from my originals and reworked them all with his low-pitched drone machines and their ethereally distorted effects. I am very flattered by this result he has obtained and I hope that you too have the same impressions that I had when listening to this brain-music firecracker.

Biofotones by Eleonora Coloma/Federico Balducci/Francisco Sanfuentes, released 05 May 2022 1. Hablar solo, hablar sin entender… 2. Rastros de una extinción, que ha sido reconocida. 3. Buscar pronto un lugar como refugio cercano. 4. Revelando con su mano esas voces ahora suspendidas… 5. Miraba este sitio con mucha curiosidad... 6. Una historia que nos pertenece a muchos. Listen to the album that marks the debut here in this netlabel of the great trio of free improvisation and instant composition formed by Eleonora Coloma (piano), Federico Balducci (live electronics with Max) and Francisco Sanfuentes (guitar and effects). This album is the third volume of the trilogy that Federico Balducci developed and produced with Francisco Sanfuentes and is now available for enjoyment on our Bandcamp. This beautiful and visceral musical work demonstrates a trio of highly acclaimed masters in the world music scene without aesthetic limits. We will hear pianist Eleonora Coloma firing off dissonant chords and arpeggios to which guitarist Francisco Sanfuentes responds with reverb ambiences from his prepared strings, while Federico Balducci manipulates the audio signal of both instruments with Max software effects. A masterpiece not to be missed if you love unparalleled music like us.

Eat Acid See Good by Anti-Media Foundation, released 23 April 2022 1. 1959 2. Anarchy Rado 3. The Tory Heart 4. Eat Acid, See God 5. Masquerading As A Thought 6. The Zoo 7. Stranger Danger Listen to kill once and for all our longing for the most beloved avant-garde music group anonymous by choice, who built their renowned career on Ralf Bevis aka Arzathon's Roden Tapes label, setting the trend through the cassette distribution culture of unconventional music that today has repercussions on current production in home studios and netlabels like ours. The sinister and darkly countercultural post-global combo Anti-Media Foundation has its name engraved on the walk of fame of extremely chaotic radical experimentalism with a provocative bias with subliminal sound messages. An album rich in instruments and sounds found unconventional with glassy timbres that add to the ambiences of table guitars generating paralyzing drones do justice to the name of this album that is ready to appear in yours and in the most eclectic collections within music essentially outside of what known as the compositional pattern.

Arendsoog! by Spycker, released 21 April 2022 1. Wanted to Smack 2. Strange Hollowing 3. With Every Week 4. Path of a Bicyclist 5. To Do With Anything 6. [ II ] 7. Applicant Juggle 8. Hours Had Ended 9. Snarl of Pipes 10. Next to Mr. Irvine Listen to the debut of the prolific and renowned avant-garde sound artist, Spycker aka Michiel Omtzigt, who has a vast musical career comprising several albums from a wide range of musical subgenres and fills us with pride today by allowing us to spread the word here in this netlabel the new and stupendous musical work that he has just released and is called "Arendsoog!" and we'd love for you to hear that. Spycker recorded this album exploring with his compositional and improvisational mastery, acclaimed and celebrated by his audience, Post-Industrial rhythms with sounds obtained from an old and broken children's synthesizer with which he made some recordings and then reworked them applying some filters to improve the quality of the formerly Lo-Fi sound due to the precariousness of the original instrument. The result was simply magnificent and you can check it out and listen to it again and again from now on on your Bandcamp. ________________________________________________________ "Resource constraints can spark creativity. That’s what they say. And that’s what I was thinking when faced with this shitty 5 dollar children’s keyboard I had lying around. Some of its keys and the left speaker didn’t work. No line output. No nothing, it was just a toy. All I could do was to record a number of crappy keyboard tunes, load these into my DAW and let intuition and chance do its work. And there you have it: an industrial avant noise sensation: Arendsoog!" - Spycker

Deep Sea Wonder (2013) by mora-tau, released 20 April 2022 1. Kraken 2. Ancient Empire 3. Mermaid's Tusk 4. Scylla 01 5. Scylla 02 6. Borderline Listen to the brilliant Japanese composer, arranger and improviser mora-tau aka Takenori Iwasaki with the album "Deep Sea Wonder" closing with great pride for us of this netlabel the successful and no less well reviewed series of re-releases of his between the years from 2009 and 2013. This collection that already topped Bandcamp's Dark Ambient charts three weeks ago when its first item debuted today, presents its latest volume today for you to enjoy the sound of this master of Dark music. Ambient An album that was designed with great care by its author who was inspired by music from Suspense and Horror films and developed refined arrangements by ethereal and very dynamic synthesizers that refer to a very lonely and dark sea. Listen for about an hour to this masterpiece that demonstrates a radically immersive sound that harks back to the bizarre world that exists in the deepest depths of the Oceans.

Kitsune Tsuki (2012) by mora-tau, released 13 April 2022 1. kitsunetsuki 2. frozenriver 3. insanity 4. before the day Listen to a brand new re-release of the 2009-2013 series by mora-tau, which has been quite a show. Get ready to listen to an incredibly scary Dark Ambient/Industrial masterpiece with a radical cinematic level formed by moments of great tension and emotion caused in a totally improvised way by the master of sounds that generate thought-provoking images. Kitsune is the theme of this soundtrack that could well have a movie worthy of its time. And it also means fox in Japanese in a folkloric context in which it is a magical being that increases its powers with age and wisdom, one of them being to assume the human form to fulfill its own desires that vary from deceiving to helping people, according to the story in which they appear. He also generates fire from his tail and mouth and can appear in dreams and create illusions. Furthermore, the fourth song "before the day" is about the earthquake that hit Great East Japan on March 11, 2011.

HYPERBOLE Vol.1 by Pete Swinton, released 01 April 2022 1. Hyperbully 2. Hyperviper 3. Hyperball 4. Hypershite 5. Hyperbowl 6. Hypercrom 7. Hyperkafka 8. Hyperdelic 9. Hyperfrog 10. Hyperlogic Listen to Pete Swinton's brand new and fresh musical work called "HYPERBOLE". Drawing on Hyperbolic Geometry and rhetorical exaggerations he has crafted an efficient ten-track album that demonstrates his creative evolution as a composer and improviser of Dark Ambient and Death Industrial and this item of rare finesse is ready for you to taste now. With ritualistic, sometimes epic percussion, high cinematic potential mixed with piercing dark ambiences Pete Swinton takes us through about a darkly enjoyable hour of music designed for you to focus and get the most out of your listening. So get ready for the brand new sound journey of this renowned composer in the underground scene that every week presents a novelty of his vast sonic work only here in this netlabel.

TRUE and FALSE by Joseph Nechvatal, released 11 April 2022 1. TRUE and FALSE (1) 2. TRUE and FALSE (2) Listen to the album "TRUE and FALSE" ebulliently marking the debut of the recognized phenomenal sound artist Joseph Nechvatal here on this netlabel. He who has an acclaimed and vast career in the musical avant-garde genre of collage of sounds gave us his celebrated album so that we can present it today to our dear listeners and they in turn get to know a little of this musical work so well spoken by critics and the public. . This amazing album of today was originally released by Nechvatal as a cassette tape in 1985 and it contains two killer tracks that correspond to two sides of a half hour long cassette tape. Experimenting with lo-fi arrangements and remixing on audio channels with samples of found sounds from the 80's era ranging from vocal loops, bass lines, guitar solos and drum rolls make this album a must-have historical piece for your music. collection on Bandcamp. _______________________________________________________ Re-release of True and False, a cassette by Joseph Nechvatal originally released in 1985 by XOX-001 cassette Review of True and False from the Continuo Weblog  The reuse of the reuse, continued. In True and False, Joseph Nechvatal keeps on recycling the sonic debris of the spirited mid-1980s, and even reuses some samples and sound clips from a previous cassette, Sleep (1983). The composer’s technique of sound collage and cut-up likens True and False to a huge aural paraprosdokian, in as much as the beginning of a sentence is pasted with the end of another, and a music excerpt is interrupted by another. I guess this utmost nonsense is what makes the tape such an hilarious experience, more than the ridicule of some sound excerpts. Whatever, we are treated with extensive excerpts from Miles Davis’ Get Up With It, moronic Japanese anime fight sounds, the Ghostbusters soundtrack (tr.#1, 8:40), Hollywood films dialogues, Brian Eno, New Order, etc – plus Joseph’s own synthesizer for good measure. In his introduction to Guido Cavalcanti Rime, Ezra Pound wrote that poets were “the great condensers of words” (from Margaret Fisher’s Ezra Pound’s Radio Operas, MIT, p. 149), and I would extend this description to Joseph Nechvatal, himself a great condenser of aural delicacies.